Andrew Lockington to Return for ‘Journey 2: The Mysterious Island’
Film Music Reporter has been able to confirm that Andrew Lockington will be back to score the sequel to the family adventure Journey to the Center of the Earth, which the composer scored in 2008. Journey 2: The Mysterious Island stars Josh Hutcherson , Dwayne Johnson, Michael Caine, Vanessa Hudgens, Kristin Davis and Luis Guzman. The movie is loosely based on Jules Verne’s The Mysterious Islandand tells the story of Sean Anderson who takes on a trip to a mythical and monstrous island to find his missing grandfather. The film marks the second feature film for director Brad Peyton. Journey 2 was ...
Frankie and Alice
FRANKIE AND ALICE A drama centered on a young woman with multiple personality disorder who struggles to remain her true self and not give in to her racist alter-personality.
Journey to the Center of the Earth
JOURNEY TO THE CENTER OF THE EARTH 2008 Recorded at Air Studios in London, UK and mixed at Abbey Road Studios. The score for "Journey To The Center of the Earth" features a large traditional orchestra accented with Analog synth elements and large choir. Contributing to the orchestral percussion is the Kiyoshi Nagata Taiko Ensemble. [pro-player]http://www.youtube.com/watch?v=PVsDoMhCaAg[/pro-player] Film synopsis An exciting adventure based on the classic Jules Verne novel "Journey to the Center of the Earth," Journey to the Center of the Earth 3D stars Brendan Fraser (Crash, The Mummy) as a science professor whose untraditional hypotheses have made him the laughing stock of the academic ...
City of Ember
CITY OF EMBER 2008 [pro-player]http://www.youtube.com/watch?v=FOC8PdK9gSA[/pro-player] Lights shine in the city of Ember—but at the city limits the light ends, and darkness takes over. Out there in the Unknown Regions, the darkness goes on forever in all directions. Ember—so its people believe—is the only light in the dark world. And now the lights of the city are beginning to fail. Is there a way to save the people of Ember? No one knows. But Lina Mayfleet has found a puzzling document, and Doon Harrow has made discoveries down in the Pipeworks. With these clues, they start their search. Recorded and mixed at the legendary Abbey ...
One Week
ONE WEEK 2008 [pro-player type='FLV']http://www.youtube.com/watch?v=eqD9Dm_DMN8[/pro-player] When a young man is confronted with his mortality, he takes a cross-country road trip on a vintage motorcycle. One Week tells the story of Ben Tyler, mid-twenties, who flees from the confines of his life—an impending marriage, a job he’s not entirely happy with, a house purchase and a recent diagnosis—in order to attempt to live more fully. What starts off as an ill-defined venture, soon morphs into a quest for the West Coast. One Week asks the question, "What would you do if you had one week to live?" and answers it through our hero’s journey. It’s ...
HOW SHE MOVE
HOW SHE MOVE 2008 [pro-player width='600' height='300' type='FLV']http://www.youtube.com/watch?v=R0L2Xv30oRU[/pro-player] Bursting with raw talent and intelligence, Raya, the daughter of Jamaican immigrants, has always been the family's one great hope. She won the rare chance to break out of their drug and crime-infested neighborhood when she was accepted into the exclusive Seaton Academy. But when her sister dies of an overdose, the family is shattered and Raya is forced to return to the place she tried so hard to escape. It's not easy to go back--especially when one-time friends, including the tough minded Michelle, see Raya as a stuck-up traitor who left the community behind. Feeling ...
SKINWALKERS
SKINWALKERS 2006 [pro-player width='600' height='300' type='FLV']http://www.youtube.com/watch?v=vOLkGyZ6pWI [/pro-player] The score for Skinwalkers is a melange of both traditional orchestral elements and digitally manipulated modern and medieval instruments. Andrew used his research on Japanese and Sudanese percussion to create rhythmic structures on which much of the orchestral movement is based. In addition, the Japanese percussion influence is evidenced by Taiko drums which can be heard cementing the beat structure in many places throughout the score. "Skinwalker’s music has an astonishing richness that just might stand as the best lupine score since Pino Donaggio’s beastly strings for The Howling" - IF Magazine "Action-filled but persuasive, with a subtle understatement of thematic ...
Composer signs on for 3rd Season of ‘Sanctuary’
Composer signs on for 3rd Season of 'Sanctuary' Epic Art Magazine - Dyllan Waits "Composer Andrew Lockington (Journey To The Center of the Earth, City of Ember) has been secured to score the 3rd season of "Sanctuary". After his industry-changing music (including songs) written for the second season of the popular TV series, it's no surprise the show's creator and producers were quick to ink Lockington to another 20 episodes. The composer's tunes had such an impact on viewers that numerous blogs and websites quickly emerged devoted to the music. Rumor has it a soundtrack album may also make it's ...
Andrew Lockington to Return for ‘Journey 2: The Mysterious Island’
Film Music Reporter has been able to confirm that Andrew Lockington will be back to score the sequel to the family adventure Journey to the Center of the Earth, which the composer scored in 2008.
Journey 2: The Mysterious Island stars Josh Hutcherson , Dwayne Johnson, Michael Caine, Vanessa Hudgens, Kristin Davis and Luis Guzman. The movie is loosely based on Jules Verne’s The Mysterious Islandand tells the story of Sean Anderson who takes on a trip to a mythical and monstrous island to find his missing grandfather.
The film marks the second feature film for director Brad Peyton. Journey 2 was shot in 3D and will be released by Warner Bros.
HMMA ANNOUNCES 2010 VISUAL MEDIA NOMINEES
HOLLYWOOD, CA – OCT 12- Nominations for the annual Hollywood Music In Media Awards (HMMA) were announced today including Original Score, Original Song and Outstanding Music Supervision in Film, TV, Video Games, Commercial Ads and Movie Trailers.
The eclectic list of nominees for Original Score–Feature Film is Trent Reznor and Atticus Ross (The Social Network),Hans Zimmer (Inception), Howard Shore (The Twilight Saga: Eclipse), Tom and Andy (Resident Evil: Afterlife), Craig Armstrong (Wall Street: Money Never Sleeps), Marcelo Zarvos (Brooklyn’s Finest), Chingon (Machete) and Clint Mansell (Black Swan).
Additional music categories include Original Score for TV, Video Game and Indie/Short/Documentary and Best Song for TV, Film Video Game and Commercial Advertisement. The HMMA is also the only award show to recognize and award music supervisors for their work in TV, film, video games and movie trailers.
Nathan Barr, who won last year for Original Score-TV (True Blood), is once again nominated for his work on HBO’s cult favorite. Wendy Melvoin and Lisa Coleman, nominated last year for NBC’s “Heroes,” received a nod for their work on Showtime’s breakout hit “Nurse Jackie.” Other nominated television scores are “Hawthorne” (TNT), “Criminal Minds” (CBS), “24” (Fox) and “Sanctuary” (SyFy) composed by Andrew Lockington.
Video game composer nominees include Petri Alanko, Garry Schyman, Knut Avenstroup Haugen, Martin O’Donnell, Michael Salvatori, Tom Salta, Jesper Kyd and Jim Dooley.
Nominated music artists MoZella (Best Song –Commercial Advertisement) and Gram Rabbit (Best Song-TV Show) are two out of the seven live musical performances taking place the night of the HMMA. Other performers will be announced in the coming weeks.
A special Outstanding Career Achievement honor will be presented to film composer and educator Christopher Young (Spider-man 2 & 3, The Shipping News, Swordfish, etc.)
Music genre nominees for independent artists around the globe have also been announced and posted. For a complete list of music and visual media nominees, visit www.hmmawards.com and click on the “Honors” tab.
Source: www.hmmawards.com
OSCAR: Halle Berry’s Last-Minute Entrance Into Race With ‘Frankie & Alice’

Hoping to duplicate the feat Jeff Bridges pulled off last year when he became a surprise last minute entry into the Oscar race — and winner — with Crazy Heart, Halle Berry is launching an awards season qualifying run for her indie effort Frankie & Alice. It opens December 17 in New York and Los Angeles before its regular theatrical release set for February 4 in the top 20 markets (shortly after nominations are announced). Freestyle Releasing will handle distribution with P and A reportedly provided by private funding the producers raised. Berry is also a producer on the 1970s–set psychological drama, a true story in which she plays a woman suffering with multiple personality disorder, exactly the kind of meaty role (and Oscar bait) that actors covet. Berry, an Oscar winner for Monster’s Ball (2001) has shepherded this as a “passion project” and is said to feel this is her best work since Ball –hence the awards push. I’m told 10,000 DVD screeners will go out to the entire Academy, critics groups, SAG Nominating Committee and others. As one of the more visible aspects of the campaign, Berry will be a prominent part of this year’s AFI Fest on November 9 in “A Conversation With Halle Berry.”
The Best Actress race is already overcrowded this year with a boatload of contenders all jockeying for attention including Jennifer Lawrence, Annette Bening, Tilda Swinton, Julianne Moore, Diane Lane, Hillary Swank, Sally Hawkins, Noomi Rapace, Anne Hathaway, Natalie Portman, Nicole Kidman, Lesley Manville and Michelle Williams — to name a few. Whether it might have been wiser to wait until next year remains to be seen but this is an especially tough field. The last minute stealth entry could be an effective strategy but she will also be vying for attention with Kidman’s Rabbit Hole opening on the same day, with Lionsgate employing a similar strategy for their well-reviewed Toronto Fest pickup. Like Berry, Kidman is also a producer on her film.
“Bringing this story to the big screen has been a challenging, yet very satisfying, filmmaking experience,” Berry says. “Her struggles with mental illness came at a time when the medical community and the public were still grappling with the veracity of multiple personality disorder, and I approached this role with feelings of humility, yet great responsibility.”
Geoffrey Sax directed from a script by Cheryl Edwards and Marko King & Mary King & Jonathan Watters and Joe Shrapnel & Anna Waterhouse (story by Edwards and Oscar Janiger and Phillip Goldberg). Producers also include Berry’s partner Vincent Cirrincione, Hassain Zaidi and Simon DeKaric. Tom Ortenberg’s One Way Out Media is reportedly consulting on marketing plans. Ortenberg worked with Berry on the successful Monster’s Ball campaign when he was at Lionsgate.
Berry’s films since winning the Oscar include the Bond entry Die Another Day, the X-Men films, Catwoman, Perfect Stranger and Things We Lost In The Fire.
Source: deadline.com
Composer signs on for 3rd Season of ‘Sanctuary’

Composer signs on for 3rd Season of ‘Sanctuary’
Epic Art Magazine
- Dyllan Waits
“Composer Andrew Lockington (Journey To The Center of the Earth, City of Ember) has been secured to score the 3rd season of “Sanctuary”. After his industry-changing music (including songs) written for the second season of the popular TV series, it’s no surprise the show’s creator and producers were quick to ink Lockington to another 20 episodes. The composer’s tunes had such an impact on viewers that numerous blogs and websites quickly emerged devoted to the music. Rumor has it a soundtrack album may also make it’s way to itunes later this year. Fingers Crossed!
*The Blu-ray / DVD release of Sanctuary Season II is June 15th.”
IFC Films has ‘One Week’

Michael McGowan with Liane Balaban
IFC Films has snared all U.S. rights to the Canuck pic “One Week.”
The picture, written and directed by Michael McGowan, is the story of a young man (Joshua Jackson) who discovers he has cancer and decides to buy a motorcycle and spend his last days on a road trip across Canada.
The movie was featured as a Gala presentation at the 2008 Toronto Film Festival and was a hit at the box office in Canada last year.
The deal was brokered by Arianno Boccho and Elizabeth Nastro for IFC and Charlotte Mickie for Toronto-based E1 Entertainment.
The picture was distributed in Canada by Mongrel Media, and E1 Entertainment has global rights to the film.
Source: Variety, Brenden Kelly


